'He plays o'th' viol-de-gamboys' : Troubles de l'imaginaire du genre et coïncidences mélopoétiques dans Twelfth Night
Résumé
If the phrase “gender confusion” aptly captures the central theme of the play, how does Judith Butler’s concept of “gender trouble” resonate with Twelfth Night? Observations of the liminal space between the written script and its performance reveal intriguing intersections between gender and music, suggesting that “melopoetic” coincidences may not be merely accidental. Onomastic echoes related to Viola, lexical reverberations in Cesario's portrayal as a female eunuch, and meta-theatrical reflections on performance all contribute to the exploration of gender as a complex and imaginative construct.
Domaines
Sciences de l'Homme et SociétéOrigine | Fichiers produits par l'(les) auteur(s) |
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